2011-2012 Graduate Catalog

MUS 600 Introduction to Musical Scholarship

Examines attitudes and aims of the music scholar, studies in bibliography reference materials, sources, and editions. Required of all Master’s of Music candidates. Must be taken as early as possible.

2

MUS 603 Analytical Studies in Music

Mastery of traditional harmony required. Students analyze the structure of music.

3

MUS 604 Seminar in Schenker Analysis

A study of the application of the ideas of Heinrich Schenker to music analysis, performance and music theory.

2

MUS 610 Research in Music Education

Develop concepts and skills for understanding and evaluating research in music education. Study the design and techniques of empirical research in music education. Complete research study to submit for publication.

3

MUS 612 Psychology of Music Teaching and Learning

Introduces concepts of psychology in the acquisition and development of musical cognition, affect, and physiological response. Combines study of empirical research and practical approaches for use in the classroom.

3

MUS 619 Latin Jazz Ensemble

Audition required. The Latin Jazz Ensemble studies and performs music exclusively from the Latin Jazz tradition. The repertoire reflects both Afro-Cuban and Brazilian influences fused with jazz performance practices. Repeatable with no limitations.

1

MUS 620 Jazz Guitar Ensemble

Auditions required. Comprised of several guitarists and a rhythm section, the jazz Guitar Ensemble studies and performs music from diverse jazz styles arranged for this specific combination of instruments. Repeatable with no limitations.

1

MUS 621 Small Jazz Ensembles

Open to any student by audition. Groups consist of rhythm section plus 3 or 4 horns. Groups are listed in Music degree section of this Catalog. Repeatable, no limitations.

1

MUS 622 Directed Studies in Music

Individualized investigation under the direct supervision of a faculty member. (Minimum of 37.5 clock hours required per credit hour.) Repeatable, maximum concurrent enrollment is two times.

1 - 4

MUS 623 Individual Studies in Effective Teaching

Designed according to candidate's primary emphasis and satisfies the Seminar in Teaching (discipline) required of all D.A. candidates in Music. Repeatable, maximum of three credits.

1 - 3

MUS 624 Vocal Jazz Ensembles

Audition required. Graduate student only. Each ensemble limited to 20 voices: 4 sopranos, 4 altos, 4 tenors, 4 baritones, 4 basses, plus rhythm section and horns. Repeatable, no limitations.

1

MUS 625 Jazz Ensembles

Audition required. Instrumentation is brass, woodwind and rhythm. Concentrate on jazz idiom music: show and dance music and concert jazz. Receive thorough preparation for teaching at both secondary and college levels. Repeatable, no limitations.

1

MUS 626 Orchestral Excerpts

Consent of instructor. Emphasis is on professional level performance of standard orchestral literature at the graduate level. Repeatable, no limitations.

1

MUS 628 Collegium Musicum

Audition required. Majors only. This performing group specializes in historically informed performance of early music. Historical treatises, appropriate ornamentation and improvisation and pre-19th century styles are the focus of the class. Repeatable, no limitations.

1

MUS 630 Small Ensembles and Chamber Music

Small chamber groups that rehearse regularly and are coached by a faculty member. Repeatable, no limitations.

1

MUS 636 Individual Performance in Jazz

Consent of instructor. Private instruction in performance practice, technical study, and literature relevant to jazz. Repeatable, No limitations.

2 - 4

MUS 637 Individual Instruction in Jazz Composition

Consent of Instructor. Individual instruction in jazz composition. Repeatable, No limitations.

2 - 4

MUS 643 Seminar: Medieval Music

A study of musical style in its historical, theoretical and practical aspects during the Middle Ages.

3

MUS 644 Seminar: Music in the Renaissance

A cultural and historical examination of music and musical style during the 15th and 16th centuries. Flemish composers, the Madrigal, the Venetian School and similar subjects will receive special attention.

3

MUS 645 Seminar: The Baroque Period

Music from 1600 to 1750. Investigates opera from Florentine beginnings through Venetian, Neapolitan and French styles to 1750; growth of chamber, orchestral and solo instrumental music, and religious vocal music.

3

MUS 646 Seminar: The Classic Period

Historical and cultural influences bearing upon emergence of 18th century classicism in music. The composers, representative works, forms, styles and media of the Classic era.

3

MUS 647 Seminar: The Romantic Period

Representative composers, musical styles, works, related literary movements, aesthetic theories and musical criticism of the period will be researched and discussed.

3

MUS 648 Seminar: Music Since 1900

Study of major trends in this music, accompanied by investigation into their social and cultural bases. Technical aspects of this music are more thoroughly investigated in the course, MUS 503.

3

MUS 649 Music History Pedagogy

Surveys philosophical approaches and methods to the teaching of Music Appreciation, Music History, and more specialized courses.

3

MUS 650 Seminar: Choral Music

A seminar to allow discussion of a variety of subjects related to choral literature. Individual projects will be assigned, calling for creative research.

2

MUS 653 Vocal Literature and Styles

A study of the stylistic, aesthetic and repertorial aspects of vocal music, including opera and choral music, through the various historical periods in music.

3

MUS 656 UNC European Summer Opera Program

Audition Required. Practical experience in the production and performance of a complete operatic works in professional productions in Europe. Techniques of acting, singing, character analysis and stage direction will be studied. Repeatable, No limitations.

1 - 6

MUS 657 Instrumental Literature and Styles

A study of the stylistic, aesthetic and repertorial aspects of instrumental music, including orchestral and chamber music, through the various historical periods in music.

3

MUS 658 Brass Pedagogy

Prerequisite: MUS 364 or consent of instructor. In-depth study of brass materials and performance techniques. Examines brass teaching problems encountered by teachers at the K-12 and college levels.

3

MUS 661 Percussion Pedagogy

Prerequisite: MUS 364 or consent of instructor. Explore advanced techniques, methods and materials related to all the percussion instruments.

2

MUS 662 Woodwind Pedagogy

Prerequisites: MUS 361MUS 362 or consent of instructor. Majors only. Indepth study of teaching material and techniques related to the flute, clarinet, saxophone, oboe and bassoon.

2

MUS 663 Trumpet Literature and Pedagogy

In depth study of literature and pedagogical techniques as related to the trumpet.

2

MUS 665 Individual Performance in Collaborative Piano

Prerequisites: MUS 348MUS 349 and MUS 465 or consent of instructor. Indepth study of repertoire and refinement of skills for the collaborative pianist. Repeatable, no limitations.

2 - 4

MUS 666 Madrigal Singers

Membership in the Concert Choir required or by special permission. The UNC Madrigal Singers is a highly select group of 16 to 20 performers. The group performs a wide variety of choral chamber works in concerts throughout the year. Repeatable, no limitations.

1

MUS 667 University Symphony Orchestra

Audition required. Comprised of the best string, wind, brass, and percussion players. Reads and performs standard orchestra repertoire. Performs on and off campus. Repeatable, no limitations.

1 - 3

MUS 668 Chamber Orchestra

Audition required. Comprised of outstanding strings Selected winds. Performs chamber orchestra literature from Baroque to the present. Presents concerts on and off campus. Repeatable, no limitations.

1

MUS 670 Individual Performance in Voice

Consent of instructor. Repeatable, no limitations.

2 - 4

MUS 671 Individual Performance in Piano

Consent of instructor. Repeatable, no limitations.

2 - 4

MUS 673 Individual Performance in Strings, Harp or Guitar

Consent of instructor. Repeatable, no limitations.

2 - 4

MUS 674 Individual Performance in Woodwinds

Consent of instructor. Repeatable, no limitations.

2 - 4

MUS 675 Individual Performance in Brass or Percussion

Consent of instructor. Repeatable, no limitations.

2 - 4

MUS 677 Individual Instruction in Composition

Consent of instructor. Repeatable, no limitations.

2 - 4

MUS 680 Mixed Concert Choir

Audition required. Limited to approximately 60-65 singers. Open to all students. The Choir performs a wide range of literature: classics to contemporary works. Widely recognized for its excellence, the Concert Choir performs concerts on campus and tours annually. Repeatable, no limitations.

1

MUS 681 Women's Glee Club

Audition required. Open to all female students. Performs on campus and joins with the Concert Choir in large masterworks with orchestra. Repeatable, no limitations.

1

MUS 682 University Singers

Audition required. Membership in Concert Choir required or consent of instructor. This select group of 25 singers performs an extremely varied repertoire from Renaissance motets to contemporary works. Repeatable, no limitations.

1

MUS 684 Men's Glee Club

Audition required. Open to all male students. Performs on campus and in the community. Sings a wide variety of literature. Repeatable, no limitations.

1

MUS 685 Performance in Opera Theatre

Audition required. Practical experience in the production and performance of a complete operatic work. Techniques of acting, singing, character analysis and stage direction will be studied. Repeatable, no limitations.

1 - 12

MUS 686 Scene Studies in Opera

Audition required. Studying techniques of acting, singing, character analysis and stage deportment through the staging and performing of selected opera scenes and arias. Repeatable, no limitations.

1 - 3

MUS 688 Concert Band

Audition required. Comprised of music majors and students from other disciplines. Members perform a wide variety of interesting literature selected from standard and current repertoire. Repeatable, no limitations.

1 - 3

MUS 689 University Brass Choir

Select performing ensemble of 21 brass and percussion students. Concentrate on literature from brass instrumental media. Develop musical sensitivity, phrasing, style and intonation. Major ensemble credit. Repeatable, no limitations.

1

MUS 690 Symphonic Band

Audition required. Selected from the finest performers on campus. Although most members are music majors, students specializing in other fields often qualify for this ensemble. Literature is drawn from contemporary and traditional repertoire. Repeatable, no limitations.

1 - 3

MUS 691 Wind Ensemble

Audition required. Comprised of the most outstanding wind and percussion majors in the School of Music. The ensemble performs a repertoire of works requiring from 8 to 35 performers. Repeatable, no limitations.

1 - 3

MUS 693 Practicum in Music

Open only by invitation to resident graduate students. Supervised professional activity in the major field, approximately two hours per day. Two copies of a well-written paper must be filed with instructor before credit is given. Repeatable, no limitations.

1 - 4

MUS 695 Special Topics in Music

A seminar covering areas in performance, research, education, history and theory that are of concern to the contemporary graduate student. Topics will vary according to student interest and needs. Repeatable, under different subtitles.

1 - 4

MUS 699 Thesis

Required of Master of Music students majoring in Theory and Composition. Consult respective department for specific requirements. S/U graded. Repeatable, no limitations.

1 - 6